Wednesday, 28 June 2017

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The Tuesday classes were back in action yesterday. They worked from the same still-life that was used for the Sustained Saturday group on the weekend. Here’s a different view of the still-life.

Back to basics was the order of the day again, especially after a long summer layoff from studio classes. In addition to that, I met some new students yesterday. Although all of them had some prior experience with the medium, I wanted to expose them to some of my ideas about drawing, value and simplification. I focused on those elements with my demonstrations.

Watercolour demonstration by Barry Coombs

This is the preliminary drawing for the study of the pitcher on the lower left of the sheet.

Drawing demonstration by Barry Coombs

As expected, many of the students concentrated on fundamentals and spent their time on studies. It’s valuable experience and should pay off in the months ahead. Most of the more experienced students started off with thumbnail studies, as usual, and then developed a sustained image.

Tuesday Afternoon Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Tuesday Evening Critique

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Read more https://barrycoombs.wordpress.com/2016/09/21/fall-tuesday-watercolour-class-more-apples/

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It was ‘back to school’ on Saturday at the Arts on Adrian studio in Toronto. I was pleased to see the students, new and old. Some had painted a fair bit over the summer months and others….

I decided to start off the fall term with some review. We discussed light and shadow and, always important, simplification of form. I used the sepia study on the left to show both of these principles and also to present my quite traditional approach to drawing. Next up was relative value. A green apple is generally much lighter in value than a dark green pitcher although both receive light and have areas of core shadow.

Fall Tuesday Watercolour Class – Apples!

Saturdays are a full day. Each student approaches the day in their own way but I always encourage time spent on a sound process. This usually includes thumbnail sketches, studies and colour testing. Any summertime rust came off gradually as the day progressed and we enjoyed some lovely work for our critique at the end of the day.

Our next Sustained Saturday takes place on October 15. There are still a few spots available! See the details at https://barrycoombs.wordpress.com/fall-studio-calendar-2016/.

Sustained Saturday Critique

Sustained Saturday Critique

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Read more https://barrycoombs.wordpress.com/2016/09/19/fall-tuesday-watercolour-class-apples/

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It was ‘back to school’ on Saturday at the Arts on Adrian studio in Toronto. I was pleased to see the students, new and old. Some had painted a fair bit over the summer months and others….

I decided to start off the fall term with some review. We discussed light and shadow and, always important, simplification of form. I used the sepia study on the left to show both of these principles and also to present my quite traditional approach to drawing. Next up was relative value. A green apple is generally much lighter in value than a dark green pitcher although both receive light and have areas of core shadow.

Watercolour demonstration sheet by Barry Coombs

Saturdays are a full day. Each student approaches the day in their own way but I always encourage time spent on a sound process. This usually includes thumbnail sketches, studies and colour testing. Any summertime rust came off gradually as the day progressed and we enjoyed some lovely work for our critique at the end of the day.

Our next Sustained Saturday takes place on October 15. There are still a few spots available! See the details at https://barrycoombs.wordpress.com/fall-studio-calendar-2016/.

Sustained Saturday Critique

Sustained Saturday Critique

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Read more https://barrycoombs.wordpress.com/2016/09/19/fall-sustained-saturday-watercolour-class-apples/

Zippity Zoo Daze!!!

I took on many jobs to pay the rent and earn tuition as an art student. Not all were ‘art-related’, such as my two summers making office furniture on an assembly line. As a picture framer, I felt some contact with the broader world of art. Skills learned at school got me a job as a commercial screen printer and it was much the same that qualified me as a T-shirt designer and very occasional free-lance illustrator.

I took one short-term job with a specific goal in mind. Way back then, teaching had worked it’s way into my mind as a possible future source of income. I would have to be comfortable painting and drawing in front of people in order to teach and demonstrate. So, I responded to an ad for Zippity Zoo Daze. It’s no less embarrassing now than it was decades ago.

Zippity Zoo Daze was a joint promotion shared by Simpsons, a large Canadian department store, and the Metropolitan Toronto Zoo. I spent several Saturday afternoons painting mostly African wildlife in one of the Simpsons Toronto branches. I worked from a book of photographs. Children and adults would crowd around to watch. The job ended with a final weekend of doing the same at the zoo. Still, working from photos.

Zippity Zoo Daze!!!   Zippity Zoo Daze!!!

I used inexpensive pads of Strathmore watercolour paper. As a particular challenge, I did not do any preliminary drawing in pencil. I ‘drew’ with my brush and mapped in the shapes with light washes.

Zippity Zoo Daze!!!

I hadn’t had any specific training during my art school classes for this assignment. Demonstrations of anything were rare, particularly in watercolour. I worked from light to dark, observed values and shapes carefully and used the brush to mimic textures. Basically, I rendered.

Zippity Zoo Daze!!!

Looking back, I can see things I like in these studies such as the use of ‘lost edge’. I can also see that I was timid with the darkest values in several of them. Overall, it was an excellent experience. I wasn’t paid much and didn’t benefit a lot from all of the amazing publicity I was told I’d receive but I forced myself to work in front of an audience. Years later, it paid off when I commenced my teaching career.

Zippity Zoo Daze!!!

 

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Read more https://barrycoombs.wordpress.com/2016/09/07/zippity-zoo-daze/

STUDIO CLASSES
Learn Traditionally; Paint Creatively
Barry Coombs will be offering weekday and weekend classes at Arts on Adrian in the fall of 2016. Classes are limited to twelve students, unless otherwise noted. Material lists are provided upon registration. Demonstrations, individual attention and constructive critiques are employed in all classes. The studio is accessible by transit and free parking is available. The studio is on the second floor and is not wheelchair-accessible.
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Please, note that the studio is solvent and scent-free!

ARTS ON ADRIAN
#224 – 15 Adrian Avenue
Toronto, Ontario
M6N 5G4

Click here to view demonstrations from Barry’s classes and workshops.
Click here for directions.

STILL LIFE (WATERCOLOUR +)
This is an intermediate level course. It includes instruction in watercolour technique, drawing concepts, colour and composition. Masters of the medium, historic and contemporary, are examined. Personal development is stressed. This course is also suitable for students wishing to work in pencil, pen and ink or pen and wash.
Pre-requisite: a beginner watercolour course or equivalent experience.

Students are not required to enroll for all of the classes in a term. Individual classes may be selected but please read the registration information below. Enrolment is guaranteed only when your cheque or etransfer is received.

TUESDAY AFTERNOONS
January 17, 12 - 3pm, $45 (includes HST)
February 7, 12 - 3pm, $45 (includes HST)
February 28, 12 - 3pm, $45 (includes HST)

TUESDAY EVENINGS
January 17, 6:30 - 9:30, pm, $45 (includes HST)
February 7, 6:30 - 9:30, pm, $45 (includes HST)
February 28, 6:30 - 9:30, pm, $45 (includes HST)

SUSTAINED SATURDAYS - One Day
Students work from the still-life in watercolour, pencil, pen and ink or any combination of these media. Watercolour painters may use a maximum size of 15 x 22" (half sheet). This is an opportunity to work at a comfortable pace and develop a sustained image.
Pre-requisite: a beginner course or equivalent experience in watercolour, pen and ink or drawing.

Saturday, January 14, 11am – 5pm, $95 (includes HST)
Saturday, February 4, 11am – 5pm, $95 (includes HST)
Saturday, February 25, 11am – 5pm, $95 (includes HST)

HOW TO REGISTER
To confirm a place in a class, please email Barry at This e-mail address is being protected from spambots. You need JavaScript enabled to view it . Registrations are first-come, first-serve. Enrolment is guaranteed only when your cheque or etransfer is received.

CANCELLATION POLICY
You will receive a full refund if you notify me of your cancellation more than 36 hours before any class or workshop. If you give me less than 36 hours notice, I will not refund the fee unless I can fill the spot from the waiting list.

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Read more https://barrycoombs.wordpress.com/2016/08/23/fall-studio-calendar-2016/